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My wife recently went on a “Girls’ Weekend” with her best girlfriends from college, and she wanted to take some romantic, girlie DVDs with her for the weekend, so she asked me for some advice on what to rent. Now, I’d like to tell you that she was asking the wrong person and that all I could come up with for a good, romantic girlie movie was “Full Metal Jacket.” But, indeed, she had asked the right person (and she knew it, sadly, she knew it).
I love girlie date romantic comedies. Always have. And romantic unintentional comedies are even better (I’m looking right at you, Keanu Reeves). And romantic unintentional SPORTS comedies are even better. For me, they don’t have to be well acted, well written, or even remotely original to capture my interest and attention. And pile on the clichés and cheap plot mechanisms, I don’t mind. All I need is a semi-hot to hot lead female love interest (but this is CRITICAL; if the girl isn’t at least semi-hot, the romantic comedy will be ruined for me; I call it Molly Ringwalding a film), a dude who doesn’t irritate the eff out of me (meaning no Dermot Mulroney), and a semi-interesting, somewhat believable plot (maybe throw in a zany, madcap friend or two). End of list. I’m in.

However, there are two cheap, clichéd, overused mechanisms in romantic comedies that I just can’t stand, and it drives me crazy every time I see them. One is the “end of the movie running scene.” This is where the lead guy (I say guy here, but the roles are just as easily reversed) has had an epiphany about the lead girl, and the guy must RUN, because THERE’S NO TIME TO WASTE, to IMMEDIATELY get to the lead girl. Even though they’ve been seeing the lead girl practically AT WILL, ALL THE TIME, THROUGHOUT THE FILM, now that the guy has had this epiphany, it is URGENT, like Need-A-New-Kidney Urgent, that they see the lead girl PRONTO. Often times this urgency is combined with a plane flight/boat trip/bus ride/space flight, with the implication being that if the lead girl is allowed to get on that plane/boat/bus/space shuttle without hearing the amazing realization that the guy had about the two of them, well, their relationship will be lost forever. And phones apparently are never an option. Ever. No, this one must be legged out by the lead guy, who must ignore all laws, rules of society, etiquette, decency, etc. in the process. Sure, that person the guy just stole a car from will totally understand once they find out the dude is in LOVE, just had an EPIPHANY, and is currently knee deep in a RUN SCENE.
These scenes irritate me to no end. Examples include the “New Years Eve” scene in When Harry Met Sally. An otherwise very likeable romantic comedy, but Harry has an epiphany about Sally walking the streets of NYC on New Year’s Eve, and then has to RUN TO HER, the implication being that if he doesn’t make it to her by midnight to ring in the New Year, the relationship may be lost forever (even though they’ve known each other for ten freaking years). I hate that scene.
A more egregious offense would be Must Love Dogs. It’s almost impossible to screw up a romantic comedy with John Cusack and Diane Lane (although they also threw in Dermot Mulroney, who is Romantic Comedy Kryptonite), but the end of movie run scene in Must Love Dogs is ten times worse because it appears to be for no discernible reason whatsoever. Getting to Sally before midnight on New Year’s Eve looks like stopping her from getting on a space shuttle to Mars by comparison. Another horrible example of the end of movie run scene is the “run to the press conference” scene at the end of Notting Hill (GREAT movie, HORRIBLE scene).
As far as I can tell, Secret Admirer is the only romantic unintentional comedy with an AWESOME run scene which actually enhances an otherwise AWESOME movie (C. Thomas Howell, Kelly Preston, Lori Loughlin. Enough said. The Academy Awards should really be called the Secret Admirer Awards.) In Secret Admirer (or, as I like to call it, Unintentional Comedy Casablanca), C. Thomas Howell has to get to Lori Loughlin before she sails away for a semester on the open ocean, and he jumps off the dock into the ocean chasing after the boat. There are so many things right with that last sentence I don’t even know where to begin. That’s how you do a run scene, Hollywood.
The second cheap, clichéd mechanism in romantic comedies that irritates me is generally isolated in romantic sports comedies. It’s at the end of the movie, after the lead guy has overcome impossible odds to win The Big Game/Match/Meet/Tournament/Competition/Fight etc. The ridiculously hot (but CRAZY AND BITCHY) mean girl, who is the antagonist to the nice, sane, hot-but-slightly-less-hot lead girl, is now re-interested in the lead guy – because he won The Big Game/Match/Meet/Tournament/Competition/Fight, you see. I guess that’s how things work. I wouldn’t know, I always sucked. Examples of this would include the end scene of Better off Dead and Teen Wolf. Of course, I would have burned the movie theater down if Lane Myer had gone back to Beth, instead of the cute little frenchy, at the end of Better off Dead. So maybe I don’t hate that cliché after all.

Which leads us to Dirty Dancing. One of the best romantic comedies ever, and it would have sucked without Patrick Swayze. Dirty Dancing had everything you could possibly want in a romantic comedy: semi-hot lead girl (although Jennifer Grey’s original nose, like James Dean, died very young soon after the filming of Dirty Dancing), cool lead guy, music, dancing, back alley abortions, watermelons, witty writing, etc…You name it, Dirty Dancing’s got it. We as a nation have withstood myriad celebrities dying recently (some pedophiles, some not), but Patrick Swayze was the first one to make me exclaim, “NOOOOOOO!” when I read the news. Rest in peace, Patrick Swayze, you will be missed.
Well that’s it for now. Sorry to have to run out on you, but, you see, I just had an epiphany that I need to share with my beloved wife now. And I mean RIGHT NOW. Sure, I could call her, text her, email her, or just see her at home tonight, but this is BIG, REALLY BIG, and it’s imperative that I run out of the building in her general direction, and maybe steal a car and run every red light until I get to her. Hope you understand.




